Capturing Ganson in Metaphor
The effects of these works rely on its movement and this form of art is an interpretation of contemporary communication similar to what was used in technological art. Kinetic sculpture, as used by Ganson in his machine that bathes itself with grease is like a hundreds year old tree that needs no one to mind him. That piece shows a clear manifestation of self sufficiency and a statement of strength and independence.
Gansons works has the theme of gestural dance. His line of works shows collective motions carefully woven in the way that it will show aesthetic pattern as they continue moving for time. The gestures of simple objects expressing passion using an engineering point of view definitely have the ability to move the audiences.
A brief history shows improvements in kinetic art have evolved continuously as technology keeps on upgrading given that most kinetic art requires motor to function. Marcel Duchamp, Naum Gabo, and Alexander Calder pioneered it in the 20th century following the trend of modernist aesthetics (Coney et al. 5-8).
Machines are thought to be the complete opposite of human for it can be created by man who limits them from expressing any emotion until the rise of kinetic sculptures that conveys aesthetics with full honesty - such an act and a quality that some humans are limited to.
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